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  • Musings from Thekambattu

    Musings from Thekambattu

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    Illustration by Nilapratim Sengupta

    We (Sunder and Sonati) have spent much of the last twenty years in growing trees and our children, here in Thekambattu. No time for anything much else than housework, land work, the kids and visitors. Now, with the boys grown up, and the trees to some extent, there was time for poetry.

    The poetry started as a response to the events in Kashmir. (How does one respond? has been a recurring theme in our lives). The Kashmir poems more or less wrote themselves, and this continued with the corona poems and generally all the poems all of which have been written in the last year since August 5th. I (Sunder) write the poems and Sonati edits them to tone down the rants or to suggest a more elegant point of view.

    Hope that these poems make you pause, think, enjoy the poetry and get you to write some poems of your own. The world needs more poets.[/vc_column_text][vc_tta_tabs active_section=”1″ title=”Poems”][vc_tta_section title=”George Floyd” tab_id=”1599643548598-64c752f0-38b7″][vc_single_image image=”10048″ img_size=”large” alignment=”center”][vc_column_text]

    Photo by Simon Daoudi on Unsplash

    With knee on neck
    And I can’t brea..
    He breathed his last
    And he can’t see
    What happened next
    What happened next
    Was that here and there
    And everywhere
    People realised that
    They could not brea..
    Until now they
    Could not see
    That it was because of
    Neck and Knee
    All over the world
    They came in hordes
    Black Lives matter
    They all roared
    Or Brown
    Or Pink
    Or whatever else
    It hardly mattered
    What they said
    Because the knees were shaking
    The shackles were breaking
    The necks were straining
    The necks were gaining
    The knees were deigning
    To listen for once
    To those whom
    They never heard
    To those to whom
    They had always said
    It’s your damn neck
    Pressing too hard
    Pressing too damn hard on my knee
    To those whom they never saw
    Even when knee
    Was pressed down hard
    On neck

    I can’t brea..
    Was a visceral cry
    It let so many others
    Breathe at last
    And amidst all the
    Bangs and clatter
    Amidst all the
    Twitter chatter
    One thing stood out
    Each life matters
    Each life matters
    To he who lives it
    Each death matters
    To he who dies it
    Each life should matter
    To you and to me
    Each death should matter
    To humanity

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    Photo by Emily Morter on Unsplash

    On our first day at
    A new school
    I met
    Berzee, Munaf, Nandan
    Venkatesh, Chitcharan, Jude
    During recess

    After
    What’s your name?
    We circled warily around
    Each other
    Finding out
    Where someone lived
    Did he come by the school bus?
    Did he have a car?
    Who would take the
    BEST bus home with me?
    Who had an older brother in school?
    Who should I partner with
    To play carrom?
    What tiffin had they each brought?

    Today I look back
    And wonder
    At those questions
    And wonder of wonders
    At those innocent times
    When after
    What’s your name?
    There was not
    The merest thought of
    The menacing follow-up question

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    Photo by Surbhi B on Unsplash

    There used to be
    A newspaper vendor
    Sitting on the pavement
    On Colaba Causeway
    From whom I used to buy
    The Evening News of India
    For my father
    Making sure to finish
    Busybee’s Round and About
    While walking home

    He disappeared for weeks, once
    And on his return I quizzed him
    Kahaan gaye the aap?
    He said, muluk me gaya tha, baba
    Where was that?
    Uttar Pradesh ki Meerut ke paas
    Ek chota sa gaon

    Aur gaon ka naam?
    Rampur

    That was possibly
    My first encounter with migrants
    But when I started asking
    I found that
    The Kolhapuri chappal-maker
    Near Regal cinema
    Was actually from Kolhapur
    The shoe-shine boys at Churchgate station
    Where Fr Netto used to send us
    If our faces weren’t reflected in our shoes
    Were from Dhule, Amalner, Erandol. Pachore

    The taxi drivers with names like Talwandi and Gill
    Were from villages of those names in Punjab

    The Irani pao-seller was
    Of course from Iran
    But more recently
    Had come from Valsad
    Where was that?
    Gujarat ma, dikra

    Vegetable and Fruit sellers were from
    Unheard-of villages in Bihar and Uttar Pradesh
    A veritable geography lesson on the streets

    The smuggled TDK and Sony cassette sellers
    On the pavements of Flora Fountain
    Were all from Kerala
    They were the hardest bargainers of them all
    But peppering their Tamil-Malayalam with
    Mone this and Mone that
    Would make me feel
    That what I had bought
    Was a steal

    The Matunga-wala
    Who cycled from Matunga
    With particularly Tamil goodies
    Arisi appalam and kaara boondi
    Was of course Tamil

    It seemed to me then that
    Everyone in Bombay
    (With the possible exception
    Of Bal Thackeray)
    Was a migrant

    Including me

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    Photo by Art Lasovsky on Unsplash

    A poet’s vocation
    Is dangerous
    You stand to lose
    Your liberty
    Perhaps your life
    Worst of all
    Your friends

    It seems to me that
    Nowadays
    I just need to
    Shake my head
    To lose a friend

    Should I then
    Keep nodding to
    Keep them?

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  • “Why Live Silently? When You have the Right to Hear!”

    “Why Live Silently? When You have the Right to Hear!”

    Photo by Malte Wingen on Unsplash

    Stranger: “Hi, may I know what are those things hanging behind your ears?”

    Me: “Oh sure! Thanks for asking though. They’re assistive hearing devices and they help me hear since I’m hearing-impaired.”

    Stranger: “Oh I see! I’m so sorry for you!”

    Me: “Hehe not a problem at all, really!”

    That was a short conversation I had with a passer-by while I was in Dubai for holidaying last winter. But wait here, what do you think was wrong about that? (more…)

  • The People

    The People

    I suppose one must blame the Constitution. When it starts with – WE THE PEOPLE – is it any surprise then that people begin to believe that it is all about them?

    We could start at the beginning, but let us go even before that to a time when barristers trained in Britain began to return home and found that they were getting no respect. They gathered around a table and demanded a piece of the cake because after all it was baked from ingredients grown in their backyard. This did not cut any cake until they entered the kitchen and talked to the staff and convinced them to join their demand for a slice of the cake since the staff had actually baked it. The squatters, who had occupied the house through trickery and deceit, were forced to vacate once the kitchen staff took away the salt. In the meanwhile, the kitchen staff had been emboldened and wanted a piece of the cake too. This brings us to the beginning. (more…)

  • Making Brutes of Us All: Rule by Dehumanizing

    Making Brutes of Us All: Rule by Dehumanizing

    Photo by Chitto Cancio on Unsplash.

    The following article has been republished from here.

    In his scathing critique of Gandhi in “What Congress and Gandhi Have Done to the Untouchables”, Ambedkar takes on Gandhi´s views on technology, arguing that Gandhism is suited to a society which does not believe in democracy, and hence will lead to a situation where human beings “must keep on toiling ceaselessly for a pittance and remain a brute”. For Ambedkar modern machinery is “indispensable for emancipating man from leading the life of a brute, and for providing him with leisure and for making a life of culture possible”. He goes on to conclude that the ¨ultimate goal of a brute’s life is reached once his physical appetites are satisfied, the ultimate goal of man’s existence is not reached unless and until he has fully cultivated his mind¨.

    (more…)

  • For Children, By Children

    For Children, By Children

    [vc_row][vc_column][vc_column_text]This month we bring to you a “children-themed” issue of  Fundamatics. And, by children, we mean for children and mostly by children who are connected to IIT Bombay through their parents — alumni and faculty.

    We have a request for you, our readers. Do spare a few minutes from your busy schedules to read and acknowledge the work of these children who have poured their souls into this issue. Please encourage them by leaving your comments at the end of posts that you like and appreciate. It would mean the world to the young ones.

    This issue is our tribute to a demographic affected by the COVID pandemic, which has robbed them of green fields and the company of their peers. A few of us on the Editorial team were curious to find how these tiny tots, tweens and teens are coping with the new world order. We did not specify any theme and merely asked them to share a submission reflecting whatever is closest to their hearts.

    The cover illustration of the issue (displayed above) is by a 12-year old. A tiny tot illustrated her mother Sherline Pimenta’s (also the author of this issue’s Foreword) story. A group of children presented us with comic strips that hold up a mirror to society – Asterix & Obelix fighting COVID, two brothers saving the farmers’ crop from a swarm of locusts, and a protest against the ruthless treatment of animals – all available in the section titled “Mirror, Mirror on the Wall”. Another group came to us with amazing stories all captured in the section Thereby Hangs a Tale. Others shared mindboggling artwork (grouped together in the section “Brush Strokes”), each a masterpiece in itself. The star piece of the artwork section is The ABCs of Art by the incredibly talented Prof. Arun Inamdar — a perceptive cartoonist and caricaturist — who shares some words of wisdom for aspiring artists. The lead piece of the issue “Story of a Story” is, however, by Prof. Shilpa Ranade, an IDC faculty, who gives us a glimpse into her childhood, adroitly interweaving it with the story behind the making of the award-winning animation “Goopi Gawaiya Bagha Bajaiya.”

    Is there anything for the “adult” alumni in this issue? Of course, there is. This is your chance to peek into the mind of the generation that will be taking over our planet in the next couple of decades. And, we can tell you this much — they will not disappoint you. Indeed, we have lots of hope for our future.

    We’re sure you will enjoy reading this issue as much as we enjoyed putting it together. Happy reading and once again. Please don’t forget to comment and share through your social media.[/vc_column_text][vc_custom_heading text=”Foreword by Sherline Pimenta” font_container=”tag:h3|text_align:left” link=”url:http%3A%2F%2Fwww.fundamatics.net%2Fforeword-final%2F||target:%20_blank|”][vc_custom_heading text=”Sections in this Issue” font_container=”tag:h2|text_align:left|color:%23dd0f0f”][vc_column_text]This time, we have had a wealth of submissions, and so have grouped the content thematically into the following four sections for your easy perusal.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”3″ grid_id=”vc_gid:1627017666225-c752d543-e23b-7″ taxonomies=”490″][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1595824881756{background-color: #eaeaea !important;}”]

    We hope you have enjoyed reading Fundamatics, the award-winning ezine published by the IIT Bombay Alumni Association, envisioned as one that is by IIT Bombay alumni, faculty and students, and for the same vast community. And, the best part of Fundamatics is that it is completely free and can be accessed by thousands of our alumni who are spread all over the world. But this does not mean that we do not incur any operational costs in bringing the ezine to you. Your financial support can mean that we can continue to remain in circulation and “free” to you, our readers.

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  • Story Of A Story

    Story Of A Story

    [vc_row][vc_column][vc_column_text]Some stories stay with you. They live in your imagination and become a part of you. One such story was Goopi Gayne Bagha Bayne, a delightful tale I first heard from my aunt, Prabha Atya. 

    She would read to me from Marathi storybooks we would buy from the local stationery shop, slim offset printed books with two-colour illustrations. The book-buying was a ritual I looked forward to, we would go to the tiny shop on the busy road opposite my grandfather’s old four-storied Wada. One couldn’t enter the shop but had to stand on the street and ask for whatever one wanted. Dhumne Master’s store was painted blue and he had many jars of sweets and candy, pencils, erasers, notebooks, small diaries, schoolbooks, storybooks, sharpeners and little plastic toys.

    (more…)

  • The Duck in the Desk

    The Duck in the Desk

    One day, a boy called Diptarko was going to his school. To get to school, he had to cross ‘the river of quacks’ which got its name by the hundreds of ducks living in it.

    He was late for school, so he ran across the bridge. But when he reached the other side, he tripped over a small rock. “Ow, lucky that was a small rock,” he said, going red in the face. While he was getting up, a duck hopped into his school bag pocket, without his notice.

    (more…)

  • The ABCs of Art

    The ABCs of Art

    I believe, introducing ‘Art’ has been one of the most challenging tasks of our education, as it involves exploring one’s ‘creativity’ and while doing this, one has to be utmost cautious about not harming the very purpose of this exercise.

    As such, I was never formally trained in sketching/drawing. Whatever happened during my school days under the garb of art classes, can, at best, be termed as ‘learning on your own’ without getting even the rudimentary introduction/guidance, which I wish to provide here.

    (more…)

  • Books Are Windows

    Books are the windows to fantastic and magical worlds! Keep the windows open!” Children who read grow up to become adults who think.

  • Janaki

    Janaki

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    Kavita was upset. She had just found out that her best friend Riya had been born from her mama’s tummy in a hospital, just like all her other friends and cousins. Kavita wondered why she wasn’t born from her mama’s tummy like them. Kavita had come from a Children’s Home.

    Nani could read her granddaughter’s mind.

    “Kavita come and have some besan ladoos!” Nani said to cheer her up. “No!” Kavita pushed the plate away. She was not in the mood.

    “Alright then,” said Nani. “Come, let me tell you a story.” “No Nani,” Kavita refused again. But Nani insisted and drew Kavita near.

    A story could do magic. And Nani had just the right story to make Kavita smile again.

    (more…)